糖心视频

Personal statement

I am the principal investigator on the British Academy (BA) funded project . This project is funded as part of their strand entitled . This project uses arts-based and speculative methods to engage with global and local histories of colonial violence and ongoing injustices, as well as to tell stories of alternative futures that disrupt existing knowledge and power hierarchies. Working with the community organisation , we will produce a digital exhibition of disability stories from marginalised LGTBQ communities. We will also work with disabled artists from across various geographical sites to develop understandings of how speculative arts may disrupt and challenge disability injustice. We explore what disability futures are possible.

More broadly, my research is situated at the intersection of post- and anti-colonial studies, queer theory, and the medical humanities. In much of my work I formulate post- and anti-colonial, critical race and queercrip ways of analysing contemporary fiction in order to both critique systems of violence and to open up space for imagining what is possible. My focus is the body in the context of health and illness and trauma studies. I work across literatures from North Africa, the Caribbean and Canada. I am currently working on a monograph entitled Vital Death: Organ Transplantation in Contemporary Fiction.

I recently completed an AHRC Leadership Fellowship on Transplant Imaginaries: Haunted Times, Segregated Spaces and Embodied Ethics, which focused on organ transplantation in contemporary fiction. My long-standing interest in organ transplantation in memoirs and fiction (novels and films) is both a concern with how narratives of transplantation may be reimagined, and an analysis of how new bodily imaginaries may offer alternative ways of thinking belonging, community and nation. Indeed, this intersection of visceral body and community boundaries is at the heart of my research.

My first book Queer Postcolonial Narratives and the Ethics of Witnessing (Bloomsbury 2014) examined the relation between familial and national violence and trauma in Moroccan, Canadian and Trinidadian literatures. Exploring how trauma may be passed on through the generations without language and through the use of the senses, this book offers a theory of sensory knowledge as a mode of bearing witness to unspeakable and unspoken familial and national traumas. It explores the endless collective work necessary to remember these often silenced histories.

I also have a strong interest in monsters and am a founding member of the . I have written on Richard Goldschmidt鈥檚 theory of hopeful monsters, and I am interested in alternative evolution theories as forms of anti-colonial, anti-racist, and anti-homo- and transphobic resistance. I am currently developing a project on Queer Fish.

I am currently the coordinator of the .